COLLAGE

 

FILM EDITING & COLLAGE

In 1976 I got a call from a brilliant film editor called Brian Tagg who was well known for cutting episodes of ‘A Family At War’ and many of the great ‘World In Action’ documentaries for Granada Television. He had also edited for Denis Mitchell, one of the unsung heroes of British documentary film making. I think on ‘Never And Always’, I recall one critic commenting that the film had been ‘sensitively cut together by Brian Tagg’. I remember it because it was rare that an editor ever got any credit from a critic. He later went on to edit films for Ken Russell including ‘Crimes Of Passion’ starring Kathleen Turner and Anthony Perkins, and later ‘Whore’ starring Theresa Russell. He took me on as his assistant at Granada to work on ‘The XYY Man’ and so my career in film editing began, learning from a master film technician. Subsequently I was taken on by the legendary Ray Millichope who had made a name for himself editing 39 episodes of ‘Monty Python’s Flying Circus’ and many of ‘The Two Ronnies’ shows, along with hundreds of other leading light entertainment series. I look back at the years spent learning the craft from these exceptional film editors with gratitude and affection. Over the years I was assisted in turn by three great assistants, Xavier Russell (left), David Bosley, and Glen Steggles. Happy days.

Brian Tagg
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Marcus Thompson
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Ray Millichope

‘Use of collage is the most effective way of reflecting the times in which we live, or even calling to mind certain periods of time gone-by, or passing’ 

Editing Room
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Editing Room

The collection of eclectic imagery and newspaper headlines I have kept aside for when the time comes exists because I’m forever cutting things out of magazines. My love of collage as a medium stems directly from those years spent as a film editor, where the task of cutting or joining together a string of images to tell a story is central.  I loved editing montage sequences, to me it’s all connected. The collocation of unrelated imagery is a powerful vehicle for expressing things that words can never quite do, unless of course you happen to be the amazing John Cooper Clarke, who can make words do anything in a torrent of imagery.

‘I guess Leonardo would have produced great collages if only he’d had a few copies of  Vogue hanging around.’

Marcus Thompson

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GALLERY I.

GALLERY II.

 

Codex Digitalis

A digitally generated notebook spanning a lifetime’s obsession with doodling, unabridged and uncensored.
 
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Collage

COMMISSIONS

The artist is available for commissions of portraits and other work –  Please make contact using the CONTACT page on the site. Thank you.

 

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